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・ The Boy (TV series)
・ The Boy and the Beast
・ The Boy and the Bridge
・ The Boy and the Darkness
・ The Boy and the Filberts
・ The Boy and the Fog
・ The Boy and the King
・ The Boy and the Mantle
・ The Boy and the Pirates
・ The Boy and the Tree
・ The Boy and the Wolves
・ The Boy Bands Have Won
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・ The Boy Friend (1926 film)
The Boy Friend (1971 film)
・ The Boy Friend (musical)
・ The Boy Friends
・ The Boy from Bullarah
・ The Boy from Ipanema (film)
・ The Boy from Mercury
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・ The Boy from Oklahoma
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・ The Boy from Stalingrad
・ The Boy from the Basement
・ The Boy from the Sun
・ The Boy From...
・ The Boy I Love is Up in the Gallery
・ The Boy I Used to Be


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The Boy Friend (1971 film) : ウィキペディア英語版
The Boy Friend (1971 film)

''The Boy Friend'' is a 1971 British-American musical comedy film directed by Ken Russell and starring Twiggy, Christopher Gable, Tommy Tune, and Max Adrian with an uncredited appearance by Glenda Jackson. It is an adaptation of the musical ''The Boy Friend'' by Sandy Wilson. It was released on DVD on April 12, 2011.
==Plot==

The plot exists on three levels.
First there is the frame story where in the south of England in the 1920s a struggling theatrical troupe is performing a musical about romantic intrigues at a finishing school for young women in the south of France. To ongoing backstage dramas and audiences smaller in number than the cast, two extra ingredients arrive: a famous Hollywood film producer turns up to see the show, and Polly, the mousy assistant stage manager, is forced to go on when the leading lady breaks a leg. As Polly struggles to keep her cool while acting opposite the male lead she secretly loves, the rest of the company backstab each other trying to impress the impresario.
Next there is the musical itself. Four of the girls at the school are very forward and acquire boy friends but Polly is shy and has nobody to take her to the carnival masked ball that night. Tony, a messenger boy from a dress shop brings her a costume and the two young people are struck with each other. They meet again in the afternoon and reach an understanding, she pretending she is only a secretary so as not to seem above him. He comes to the ball and, when unmasked, is recognised as a peer's son. So Tony and Polly are both rich and can marry openly.
Thirdly, there are extensive fantasy sequences during which the characters' dreams are enacted in music and dance without words.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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